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ORIGINAL IDEA
Daniel Doña

STAGE DIRECTION
Jordi Vilaseca | Daniel Doña

PERFORMERS
Sara Jiménez- Baile
Jordi Vilaseca / Jose Alarcón
Baile Antonia Jiménez – Guitarra
Miranda Alfonso- Baile
Jose Luís López – Violonchelo
Inma La Carbonera – Cante
Paco Cruz – Guitarra
Cristian Martín- Baile
Nasrine Rahmani- Percusión
David Vázquez – Cante
Daniel Doña-Baile

CHOREOGRAPHY
Cast DDCdanza

GUEST CHOREOGRAPHERS
Manuel Liñán
Marco Flores

ORIGINAL MUSIC
Antonia Jiménez – Carlos Cuenca- Jose Luís López – Paco Cruz

LIGHTING DESIGNER
Olga García (A. A. I)

LIGHTING TECHNICIAN
Álvaro Estrada (A.A.I)

COSTUME DESING
Belén de la Quintana

MASK DESING
Ricardo Vergne

STAGE DESING
Elisa Sanz

SCENOGRAPH MANUFACTURING
Sfumato (Pintura y modelado escénico S.L)

FILMING AND EDITING
Beatrix Molnar

SOUND SPACE CREATION
KiKE CABAÑAS

STAGEHAND
Oscar Alonso “Rusti”

PRODUCTION
DDCdanza _ Daniel Doña

TOUR MANAGER AND MANAGER
Eva Marcelo/La Net A Escena

PHOTOGRAPHY
marcosGpunto

ENTRE HILOS Y HUESOS

Estreno 7 de octubre de 2021. Sala Roja de los Teatros del Canal.

“What political passion or war tears apart, art can sew back together with its winged hands, with its subtle and invisible needle and thread.”

Gregorio Marañón

 

Entre Hilos y Huesos is the latest choreographic imaginary of the company DDC Danza directed by dancer and choreographer Daniel Doña. This work moves and shakes the most recent historical memory of the nation with a syncretic, feminist and unbiased vision, transforming suffering, fear and tragedy into a song of freedom. It is an alternative way of reading history; it sews the torn seams of collective memory and transforms them into a poetic act that combines struggle, justice and retribution. Entre Hilos y Huesos is a complaint and denunciation, it is poetic justice expressed from an avant-garde dance, daring, which goes through tradition and contemporaneity, which takes refuge in flamenco and the songs of yesteryear but that overflows and explodes in its validity. It is a moment of silence for those who were expelled from history, but also an exercise of memory that focuses on blind spots of our past, on voices of the artists who fell into oblivion.

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